Squirm begins with an introductory scroll reminiscent of The Texas Chainsaw Massacre, and while it seems the similarities end there story wise, stylistically both films share some common ground, with Lieberman reigning in the splatter, with the emphasis on mood and atmosphere. No doubt American International expected some drive-in fodder when the studio allotted Lieberman just twenty-something days to shoot the film, but the first time director managed to circumvent the budget limitations with some impressive exterior photography, the wild Georgia locations looking damp, off season even sinister, and there's some audacious camerawork employing a huge wide angle lens to depict the worms' point of view. As with the director's subsequent films Blue Sunshine and Just Before Dawn, Squirm has an eerie, subtle musical score, as well as a very effective sound design which perfectly compliments the visceral images.
Performances in general are better than typically seen in this type of film, helped in no small part by Lieberman’s writing which breathes life into his characters, giving his cast various bits of business to work with – the pot-smoking tomboy younger sister, the mother with the frazzled nerves, the greasy womanising sheriff, and the dim-witted and disgruntled bait boy under the yoke of his father. One suspects that lead actor Don Scardino is a stand-in for the Brooklyn-born director and his fish-out-of-the-water routine is often very funny. It’s a shame Scardino didn’t appear before the camera more often, but he can be seen in He Knows You’re Alone and Cruising, later going on to produce and direct big TV shows like The Cosbys, Law and Order and 30 Rock
MGM’s 2003 R1 DVD (still denied an official release in the UK for no good reason) looks fantastic and is simply the best looking Squirm to date. The 1.85 anamorphic image looks terrific, colors are vibrant, black levels are solid and the picture is pleasingly sharp restoring much detail obliterated on the old Vestron and Orion tapes. The mono sound is fine too. Extras include the theatrical trailer, a TV spot and best of all an excellent and very worthwhile commentary by Jeff Lieberman who discusses every aspect of the production, including what big name stars almost ended up in the cast, and explains how the whole worm infestation was caused by the movie Ocean’s 11 – to find out more, be sure to catch it.
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Notes
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To read more about Squirm and the films of Jeff Lieberman, head over to Jon's excellent and comprehensive career retrospective at the The Irish Journal of Gothic and Horror Studies
Great stuff Wes, I remember being worried before renting this that it would be terrible but my curiosity got the better of me and I really liked Squirm, Blue Sunshine too. For whatever reason I never did het around to seeing Just Before Dawn.
ReplyDeleteThat poster design is superb.
Yeah, it really is a great poster, and a very unique design for an American poster of that era. The Orion tape is pretty snazzy as well, that video seemed to be everywhere in the 80's, and ironically enough features a still not actually from the film (a la Intervision's Exterminator)
ReplyDeleteI was on a Lieberman buzz about 7 years ago, when his films were released in decent editions on DVD - Just Before Dawn is still my fave, but Squirm is a killer flick, much better than I expected. Always loved Lieberman's interviews too - high brow/low brow impersonations withstanding.
ReplyDeleteThanks for the link to my article, Wes. I spoke to Marc Morris at Nucleus Films about possible reasons why there us no distributor for a UK Region 2. He told me "I've already tried to sub-license titles from MGM and they want £10k per title. There's no way we'd make that back on niche titles like these."
ReplyDeleteVery interesting Jon, and from a license point of view, that makes perfect sense. I'm just surprised that MGM didn't put it out themselves, there are R2 editions of plenty of their catalogue titles - the Corman/Poe films, various titles from the Midnite Movie line, even something like the superficially similar Frogs...
ReplyDeleteThanks for this and Blue Sunshine review. I've only ever seen an edited super 8 400ft reel of Squirm so looking forward to the full feature. Blue Sunshine was shown at the Scala many years ago, i remember. I agree, there was something grubby and damp about Squirm...
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