I picked up a few issues here and there from the early years, (and worth noting that this era featured some exquisite photography) but it was the arrival of the millennium that saw The Wire really hit its stride (at least for this reader), as every new issue would see my album collection expand in all sorts of weird and wonderful directions. It was through the good offices of The Wire that I discovered the music of Sun Ra, AMM, Herbie Hancock, Evan Parker, Fela Kuti, John Fahey, Tod Dockstader, Phill Niblock to name but a few. The magazine's championing of The Grateful Dead, King Crimson, John Martyn, even James Brown, artists that I previously had only a casual interest in, inspired me to delve deeper into their output. I heard Coil for the first time through The Wire, when in 2000, an early draft of A Cold Cell appeared on the 6th installment of the magazine's cover mounted CD series The Wire Tapper. To borrow a phrase from Cornelius Cardew, this was the time of The Great Learning.
If The Wire seems less vital in these recent times, it is perhaps a consequence of this reader not having the time to keep up with the endless flow of new music that emerges every month, but I must admit I've become increasingly frustrated by the magazine’s unfortunate inclination for fussy scholarly writing. The most recent offender, Philip Clarke's overview of Lou Reed's RCA & Arista Album Collection, in issue 397 in which the author couched the review in esoteric musicological language ("plagal cadences" and so on) was virtually unreadable. And yet I still eagerly buy it every month, usually rushing to grab one of the four or five copies my newsagents stocks. Incidentally, I had my name mentioned in The Wire back in 2012, albeit in the letters page when a tongue-in-cheek complaint about the previous issue's cover was fired off to the amused editor, who published it much to my dismay...
The Wire reviews Throbbing Gristle's TG24 boxset, issue Issue #227, January 2003
Coil, Issue #194, April 2000
The Herbie Hancock Sextet, Issue #174, August 1998
Yoko Ono, Issue #146, April 1996
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