Friday, 27 July 2018

Location Location Location...

A supplement to yesterday's post about Chernobyl, I wanted to mention Jacob Kirkegaard's 2008 album 4 Rooms, which provided the soundtrack (among others) to my reading of Serhii Plokhy's book Chernobyl: The History of a Nuclear Catastrophe. The Lustmord/Robert Rich album Stalker was also pressed into service over the course of the book, but Kirkegaard's album offered a more profound resonance by the fact that it was recorded within the Zone of Exclusion. Taking inspiration from Alvin Lucier's 1970 sound work I Am Sitting In a Room, Kirkegaard traveled to Ukraine in October 2005 and selected four spaces within the Zone - four abandoned rooms that were once busy meeting places for the people of Pripyat before the nuclear disaster. In each of the 4 rooms - a church, an auditorium, a swimming pool, and a gymnasium, Kirkegaard set up his recording equipment to capture 10 minutes of silence. Upon returning to each of the rooms, Kirkegaard played the recordings back within the space, repeating the procedure a further 10 times to produce a set of dense, layered drones. Using some subtle post-production effects Kirkegaard has given each of the four lonely places a remarkable sonic personality, the overtones infused with spectral echoes and reverberations, and in the case of the recording captured at the gymnasium, a shrill metallic timbre which seems entirely keeping with the curious phenomena of visitors to the Zone experiencing a metallic taste when breathing the air of the radioactive environment. The following pictures were taken by Jacob Kirkegaard during the recording sessions.

Chernobyl Zone of Exclusion, Jacob Kirkegaard

Church

Chernobyl Zone of Exclusion, Jacob Kirkegaard

Auditorium

Chernobyl Zone of Exclusion, Jacob Kirkegaard

Swimming Pool

Chernobyl Zone of Exclusion, Jacob Kirkegaard

Gymnasium

No comments:

Post a Comment