Showing posts with label Hellraiser (film). Show all posts

Wednesday, 17 July 2019

In the depths of Hell

Lead Cenobite Doug Bradley peers out from under the skin of the British quad poster of Hellraiser…

I’m currently reading Paul Kane's 2006 book The Hellraiser Films and Their Legacy, and it’s good to be back in the world of Hellraiser again. I saw the original film on VHS in 1988 and at the time it was far more intense a Horror film than I was used to seeing. Subsequent viewings over the years have diluted some of the film’s power, while Hellbound has improved, and remains my favorite of the series. Stefan Jaworzyn was notoriously cranky about Hellbound in the pages of Shock Xpress, comparing the dusty corridors of Hell to a bad Lucio Fulci set (there’s some truth to that), but I can enjoy the absurdities of Hellbound, and the outrageous gore.

Paul Kane’s book provides some good analysis of the films, enough to make me go back and see the core trilogy again, but if truth be told, I’m skimming thru the chapters devoted to the sequels Bloodline, Inferno, Hellseeker, Deader, Hellworld, Revelations, and Judgement (a roll call of the damned if there was ever one, and none of which I’ve seen), picking out the passages which delve into their productions, all of which seemed plagued with reduced budgets, reduced ideas, and a dearth of talent on both sides of the camera. I don’t know how the Children of the Corn or Puppet Master series have fared, but I can’t think of another Horror film franchise that has fallen from grace in such spectacular trash film style. I’ve read that the penultimate film to date, the universally loathed Revelations was cobbled together over 11 shooting days by Dimension Films to safeguard the film rights which were due to expire. A television series is now in the works, which I have no doubt will be absolutely missable…

Monday, 7 November 2016

Clive Barker's Hellraiser

I mentioned Clive Barker’s Hellbound Heart in my last post and at the weekend I took some time to reacquaint my myself with my collection of Hellraiser comics picked up in the early 90’s. The series ran for 20 issues from 1989 to 1993 and I was fortunate enough to pick up most installments (not so easy in the pre-Internet days). I was quite an avid reader of Clive Barker’s early excursions into the world of mature Horror comics (or graphic novels as I stringently referred to them back in the day). By the early 90’s Barker had relinquished control of Hellraiser and was inching ever closer to full blown fantasia with the epic novel Imajica and The Thief of Always, a book written for young adults. The dark and perverse horror of the Books of Blood and the two Hellraiser films seemed increasingly remote. Fortunately, Barker found an outlet for the darker side of his imagination with comics like Tapping the Vein (1989-1992), Son of Celluloid (1991), Revelations (1992), and Dread (1992). The Hellraiser series which Barker occasionally contributed to was not based on the films, but instead built upon the Hellraiser mythos, as characters in various time-lines and locations (the Middle Ages, Silent-era Hollywood, the Vietnam War) invoke the Cenobites by meddling with the Lament configurations.

Revisiting the comic again, I was a tad disappointed by the writing, which seems squarely aimed at teenagers looking for lashings of gore flavored with a little sex and nudity – which was fine by this 14 year old reader in search of illicit thrills upon graduating from 2000AD. The story artwork is rather variable at best (apart from exceptional work by John Bolton, Bill Koeb, John Van Fleet, and Scott Hampton) but my attention was drawn to the full page illustrations which bookended each of the 4 or 5 stories contained within each issue. I’ve gathered together some of the more striking illustrations that appeared throughout the series…